Dallas Corporate Videographer for Executive Interviews, Events and Internal Video
Fifteen years shooting corporate video in Dallas for AT&T, Marriott Bonvoy, Morgan Stanley, Verizon and Microsoft. One videographer with a cinema camera package who can walk into your office or conference and leave with everything the edit needs — no crew to manage, no agency layer.
Quote back within one business day · Most shoots booked within 7 days · First cut in 10 business days · 20+ film awards
Corporate video I shoot in DFW
Executive and leadership interviews. Two-camera RED setups, lit in 30 minutes, with a director who gets nervous execs relaxed and quotable. CEO messages, town-hall openers, thought-leadership series and customer testimonials.
Conference, summit and event coverage. Keynotes, breakouts, sponsor content, attendee soundbites and a recap cut delivered within the week — plus clean full-length session recordings for on-demand.
Recruiting and culture films. Real employees, real workplaces, shot documentary-style so the film still feels honest a year later. Built for careers pages, LinkedIn and onboarding.
Training and internal communications. Repeatable setups, teleprompter on set, scripts read cleanly the first time. Equipment →
Investor, IPO and stakeholder messaging. Polished single-speaker pieces for the boardroom and the annual report. Why video pays back →
Why one experienced videographer beats a production company for this work
Corporate video lives or dies on two things: whether the people on camera look and sound good, and whether the footage arrives on time. Neither requires a large crew. They require someone who has lit a thousand offices, knows where the HVAC noise is coming from, and can direct a CFO through a 90-second message without a script in hand.
You deal with me directly from the first call to the final file. I plan the shoot, run camera and sound, and cut in DaVinci Resolve — so nothing gets lost in a hand-off.
And because I also direct commercials and shoot as a DP, your corporate video doesn't look corporate. Interviews are lit like a brand film, events are cut with pace, and every deliverable arrives in the formats your comms and social teams actually use.
Common reasons Dallas companies call me: a new CEO needs an introduction video by Friday; the annual conference needs coverage and a highlight reel; HR needs a recruiting film that doesn't feel staged; a scripted compliance module has to be shot with a teleprompter in one day.
Clients
AT&T · Marriott Bonvoy · Morgan Stanley · Verizon · Microsoft · Ashford Hospitality Trust · Lockwood Andrews & Newnam · Leo A Daly · Creation Technologies · Helen of Troy · TopGolf · Sonic Automotive. Full client list →
What clients say
“Working at a large company with multiple facilities across North America, it was always a challenge to find good contractors to help capture quality footage regionally. Alex was very responsive. We were able to coordinate details of the shoot easily over email despite me being all the way in Canada. The b-roll captured from our manufacturing facility in Texas was excellent, and I definitely appreciated his creative eye. Highly recommended!”
Romina Puno, Director of Marketing, Creation Technologies
“We have used Alex on several projects for our marketing campaigns and he always delivers beyond expectation — some of the most dynamic, creative content for our retail advertising and industrial projects, bringing our company to new growth levels in B2B and B2C categories. Highly recommended!!”
David McKay, Director of Marketing, BlackBoxStocks
“Alex did an amazing job of filming and incorporating all of the aspects of a high-paced charity event. The video production was phenomenal on both the short teaser video and the longer video. I would recommend him to anyone looking for professional video production.”
Chris Dorward, Director, Texas Valor Project
“Their great communication and very quick response times impressed us.”
Alex Ardenti, Producer, Ardenti Films (via Clutch, 5.0)
How a corporate shoot works
Before. A 15-minute call, then a one-page plan: interview questions or run of show, locations, schedule, what to wear.
On the day. I arrive 60–90 minutes ahead to light and test. Interviews run 20–30 minutes each. Events are covered wall-to-wall.
After. Selects and a first cut in 10 business days (recaps sooner), two rounds of revisions, delivery in 16:9, 9:16 and 1:1 with captions.
Frequently asked questions
Can you shoot in our office?
Yes — that's most of this work. I bring lighting that makes a conference room look like a studio.
Do you cover multi-day conferences?
Yes, solo or with a second shooter for parallel breakouts, in Dallas or anywhere in the US.
Do you provide a teleprompter?
Yes, an iPad teleprompter rig is part of the kit for scripted messaging and training.
How do you handle brand guidelines?
Send your brand deck; graphics, lower thirds and colors match it in the edit.
Can you turn around social cuts?
Yes — vertical and square versions of every deliverable are included.
Can you shoot the same week we call?
Often. Interviews and single-camera coverage can usually be booked within seven days; send the date first.
Who owns the footage?
You do. Raw footage is archived for 12 months and available on request.
Do you work with our agency or in-house team?
Yes. Agencies and internal marketing teams book me as their Dallas videographer or DP and keep the creative lead.
Send the date, the location and what the video needs to do
You'll have an approach and a quote back within one business day.